In These Oklahoma Hills

Woody Guthrie’s hometown, Okemah (pop. around 3000-ish), is an hour and fifteen minute drive south of Tulsa. Sunday morning, Aimee and I checked out of our hotel and hit I-44 to the narrow, rain-slicked curves of US-75 in search of Woody’s hometown and its markers, with nary a guidebook to help us.

It’s a tiny town dominated by an American music giant; surely we’ll be able to find everything, right?

Nope.

At least we found the town.

And we found Woody’s statue along the tiny stretch of downtown, between old buildings bedecked with murals.

The statue’s base and the ground below are covered in bricks and pavers bearing messages and song titles that have been purchased. The Oklahoma City Federation of Teachers bought the “Union Maid” paver, which made me happy.

Someone had given the statue a scarf, much-needed in the chilly drizzle. I wanted to take it and knit him a new one.

One mural celebrated the history of the town. Not just Guthrie, but the oil boom of his childhood, the Native American roots, the cowboys.

March dreariness coupled with the sleepiness of early Sunday afternoon makes Okemah’s downtown look far more desolate than I imagine it is on a weekday. While it doesn’t seem exactly prosperous, there are more open businesses than boarded-up shops.

Our Main Street was about eight blocks long. And Saturday was the day that all of the farmers come to town to jump in with the several thousand rambling, gambling oil field chasers. Folks called them boom chasers. A great big rolling army of hard-hitting men and their hard-hitting families. Stores throwed their keys away and stayed open twenty-four hours a day. When one army jumped out of bed another army jumped in. When one army marched out of a cafe, another one marched in.  As fast as one army went broke at the slot machines in the girly houses, it was pushed out and another army pushed in. – “Boomtown” from “Bound for Glory”

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Billy Bragg Tours For Woody’s Birthday

Billy Bragg‘s worked so hard to breathe life into Woody Guthrie’s unfinished songs, and kept his rebel spirit alive through his entire career. So of course he’s not letting Guthrie’s centennial go unnoticed. He announced earlier this year that he and Wilco will be re-releasing their “Mermaid Avenue” albums, along with a new collection of Woody Guthrie songs recorded during the sessions.

Last week I heard rumblings about two Billy Bragg tributes to Woody at Chicago’s Old Town School of Folk in June.

Just the tip of the iceberg; Bragg’s doing a short summer U.S. tour featuring his take on Guthrie’s songs, including the second night of the Woody Guthrie Free Folk Festival in Okemah, Oklahoma on July 12, according to Bragg’s website and Slicing Up Eyeballs.

Appropriately, he’s calling it “The Ain’t Nobody That Can Sing Like Me Tour,” taking a line from Guthrie’s composition, “Way Over Yonder in the Minor Key”. During our recent visit to Okemah, my friend Aimee and I entered the town singing the song’s first line: “I live in a place called Okfuskee,” a nod to Okemah’s county.

I’m planning to be at the Chicago and Okemah shows. Here’s the other places you can catch him:

Billy Bragg’s The Ain’t Nobody That Can Sing Like Me Tour:

June 22: Old Town School of Folk, Chicago, IL (According to Bragg’s site, he’ll also be playing the same venue on the next night.)
June 24: The Ark, Ann Arbor, MI
June 26: Birchmere, Alexandria, VA
June 28: Somerville Theatre, Somerville, MA
June 29: Stone Moutain Arts Center, Brownfield, ME
June 30: The Music Hall, Portsmouth, NH
July 1: Higher Ground, South Burlington, VT
July 10: Barrymore Theatre, Madison, WI
July 12: Okemah Festival, Okemah, OK
July 13: City Winery, New York, NY
July 15: Avalon Theatre, Easton, MD

“All You Can Write is What You Can See”

By Robin Wheeler

My friend and Oklahoma travel partner Aimee Levitt published some excellent Woody Guthrie coverage culled from our trip for St. Louis’ Riverfront Times. Makes for an excellent primer for those wanting to learn more about Guthrie. And it’s just damn good writing.

I’ve already written my professional and somewhat unbiased takes from the University of Tulsa’s Woody 100 symposium and the first This Land is Your Land tribute concert. I’m still trying to process and convey the emotional impact of the weekend in Oklahoma.

Right. Who comes away from an academic symposium all emotional? I do. It’s a powerful thing, being in a room with so many people who care about the exact same minutia you do. We’re all conductors of energy, and by the end of the day it felt like we could stage a populist revolution, Okie-style. And I wish we had. But we were pretty tired. The will was there, though.

With our brains full, Aimee and I skipped the final panel – an artists’ roundtable – and made a last-ditch trip to the Gilcrease Museum, which was hosting a Guthrie-related exhibit. I hadn’t done much research on it. Not that it would have been difficult, since the museum has the collection online.

I had no idea what to expect, which made it all the more amazing.

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Woody at 100 in the Press

By Robin Wheeler

While I’m planning to give a more thorough recount of the emotional experience of my weekend in Oklahoma, duty called first. I wrote two pieces for the Riverfront Times in St. Louis about the weekend.

First, a review of Saturday night’s tribute concert in Tulsa, “This Land is Your Land”. A sample:

Guthrie embraced populism as much as individuality. Presenting a song everyone knows – “Pink Houses” -  so soon after the uniqueness of the Flaming Lips juxtaposed Guthrie’s complexities of balancing personal innovation with group accessibility.

I also published a recounting of that day’s academic conference, “Different Shades of Red”:

What would Woody think of what’s happening now? He would relate to the downfall of the middle class, having lived through something similar when his father lost everything. This led Guthrie to base his songs on emotions, not intellect.

 

Please disregard the header that claims Guthrie was a Communist. That was added by editorial, not me. Read the post and you won’t find the word “Communist” mentioned one single time. I’ve asked for this to be changed.

Despite having a photo pass, I didn’t get much that’s usable. Luckily, others did. Here’s a bit of the concert’s finale, with Arlo singing one of “This Land is Your Land”‘s lost verses:

Oh, and I did a little tree-hugging on the site of Woody’s final Okemah, Oklahoma home.

Standing where he stood. That requires a post all its own.

Along the Rain and the Sun

By Robin Wheeler

Today Aimee Levitt, a St. Louis-area reporter (and dear friend who’s willing to tolerate seven hours in a car with my shenanigans) and I drove from my home in Belleville, Illinois, to Tulsa, Oklahoma. On behalf of the Riverfront Times, we’re covering tomorrow’s Different Shades of Red: Woody Guthrie and the Oklahoma Experience at 100 , a series of panels covering the political culture in Oklahoma that shaped Woody Guthrie’s world views, his musical influences, and his legacy to the Dust Bowl. After a day of lectures, it’s This Land is Your Land concert. Then the drive home, deadlines.

Before we left, Aimee told me that she saw Woody on the side of the highway – a grizzled hitchhiker with a backpack and a guitar.

We hit I-44 from St. Louis at 12:30 after a lunch of Korean-Mexican fusion food. I-44′s what replaced Route 66 when the interstate system was built. The skeleton of the Mother Road remains as the interstate twists along the northern edge of the Ozarks. Old tourist traps like Meramac Caverns share the road with boutique wineries, adult superstores, and billboards with the outstretched arms of Jesus Christ beckoning to westbound sinners.

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Pete Seeger’s Tribute to Woody Guthrie

So, everyone’s busy reading, right?

I usually knock out at least two books a month, but I’m snail-slogging along through “Bound for Glory”. Not because of any flaws in the book itself; blame my time management and my incessant note-making. This project makes me feel like I’m back in my undergraduate days, trying to suck the details from every word I read.

This is why I didn’t finish my undergraduate degree.

I’m reading the book in a most ironic way – on a Kindle. I know, I know …. bad for small bookstores, probably bad for authors, and right now, more difficult than I anticipated when it comes to finding the notes I’ve made. Lesson learned: can’t beat a highlighter and paper.

It’s been nearly a month since I read Pete Seeger‘s eulogy to Woody that opens the book.
Which reminds me: why don’t we treat Seeger like the living legend he is? That’s probably a subject broad enough for another project.
Anyway, Seeger’s words about Guthrie warm me and remind me why we’re doing this project: Continue reading

Here We Go

I am not a Woody Guthrie expert.

Thirty years ago I learned the chorus and first two verses of “This Land is Your Land” from an orange hardcover elementary school music book, taught by an old lady who visited our classroom once a week, pushing her mono turntable through my school on a metal A/V cart that made the accompanying record fill with metallic reverb.

In second grade, we were led to believe “This Land is Your Land” was just another “America is Awesome!” song in the same vein as “God Bless America”.

Six years later, Bruce Springsteen taught me otherwise. I received “Bruce Springsteen and the E Street Band Live/1975-85″ for Christmas, 1986, when I was 14 years old. I’d discovered Springsteen two years earlier with “Born in the U.S.A.”. I was too young to really grasp what he was saying on that album, but I picked up on enough to know he was singing about my people: the kid whose parents were the first generation to skip agriculture in favor of manufacturing in a rural Plains town where layoffs are a way of life. Where the pretty Victorian buildings from the railroad boom are vacated, boarded, as we drove to the town borders to buy the things we needed. Once a year, driving west – Colorado, New Mexico, Arizona – with a pop-up camper for just a taste of God’s country for a week, when money and vacation time allowed.

My parents met in 1970 while cruising the strip in that small town. Dad liked drag racing in the country late at night. Mom thought his car was sweet. My life was a Springsteen song before it started.

Anyway, Bruce brought me to Woody with his live take of the song I’d sang in second grade, which he prefaced by saying:

It was written as an angry song. It was an answer to Irving Berlin, who’d just written ‘God Bless America’, and this song was written as an answer to that song. It’s just about one of the most beautiful songs ever written.

 

Still too immature to get it, but the seed was planted.

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“Walt Whitman’s Niece” and “Joe DiMaggio Done It Again”

Mermaid Avenue

Lest you fall into the trap of thinking Woody Guthrie is all political seriousness and no fun, spend a little time with “Walt Whitman’s Niece” and Joe DiMaggio.

Guthrie wrote the lyrics, but never recorded the song. Organized by Woody’s daughter Nora, Billy Bragg and Wilco collaborated on “Mermaid Avenue” in 1998, the first of two albums of previously-unrecorded Guthrie compositions. It opened with the tale of a bawdy tale that may or may not have included the great poet’s niece.

Two years later, with a second volume, Guthrie wrote the second best baseball poem in American history – after “Casey at the Bat,” of course, with “Joe DiMaggio Done it Again”.

Are You Bound for Glory?

This is our fascist-killing machine.

Keep watching.

Over the next few days we’re going to embark on a project to celebrate Woody Guthrie’s one hundredth birthday. Grab a copy of his 1943 book, “Bound for Glory”. Some consider it his autobiography, although it’s got some fictionalization. Regardless, give it a read, write about the experience, and we’ll post it right here.

That’s pretty much it. We’re light on authority and rules, and heavy on letting everyone have a voice. Woody would have wanted it that way. We just want people from all walks of life to revisit Guthrie’s work and think a little about what he had to say.

If you already know you want to get involved, drop a line to boundforglory1912@gmail.com

Here’s a bit of what Woody did best to get you all hepped up as we finish making the blog pretty and further explain what the heck we’re doing.